![]() ![]() Compare it to a 'classic' analogue monosynth, like a Minimoog or a Pro‑One, and on the face of it, it seems to be quite similar. In the past, Korg's instruments were notorious for adopting unusual solutions to the problems of synthesizer design - look at the Wavestation, for example - and the MS20 is no exception to this. For live use, however, its shape is much less useful - you'd have to make a big square case to keep it in for one thing, and if you stand your MS20 on top of another keyboard and play it facing the audience, then they probably won't be able to see you! ![]() The machine is tall and narrow, with all of the sockets on the front, allowing you to push it right up against the wall. Although the MS20 looks a bit weird, the design is actually quite practical if your studio is a bit lacking in space. To the left of the panel are the various knobs, and to the right are some 35 cryptically‑labelled sockets, of which more anon. I assume most SOS readers know what an MS20 looks like - a three octave keyboard with a steeply rising control panel behind it in an L‑shaped black case. ![]()
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